By Hiram Pérez
Describing a permanent homonationalism courting to the “birth” of the gay within the past due nineteenth century, Pérez considers not just how US imperialist enlargement used to be discovered, but in addition the way it was once visualized for and during homosexual males. via an research of literature, movie, and images from the nineteenth to the twenty first centuries—including Herman Melville’s Billy Budd, Anne Proulx’s “Brokeback Mountain,” and pictures of abuse on the Abu Ghraib prison—Pérez proposes that sleek homosexual male identification, frequently traced to overdue Victorian buildings of “invert” and “homosexual,” occupies no longer the outer edge of the country yet fairly a sophisticated place, instrumental to tasks of warfare, colonialism, and neoliberalism. A flavor for Brown Bodies argues that practices and subjectivities that we comprehend traditionally as types of homosexuality were regulated and normalized as an extension of the united states geographical region, laying naked the tacit, if complicated, participation of homosexual modernity inside of US imperialism.
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Additional resources for A Taste for Brown Bodies: Gay Modernity and Cosmopolitan Desire (Sexual Cultures)
A Taste for Brown Bodies: Gay Modernity and Cosmopolitan Desire (Sexual Cultures) by Hiram Pérez